Irene Koronas’ internationally acclaimed The Grammaton Series includes orbiculus, Volume IX (BlazeVOX, 2025), chiaroscuros, Volume VIII (BlazeVOX, 2024), gnōstos, Volume VII (BlazeVOX, 2023), siphonic, Volume VI (BlazeVOX, 2022), lithic cornea, Volume V (BlazeVOX, 2021), holyrit, Volume IV (BlazeVOX, 2019), declivities, Volume III (BlazeVOX, 2018), ninth iota, Volume II (The Knives Forks and Spoons Press, 2018) and Codify, Volume I (Éditions du Cygne, 2017).
Her collections include Turtle Grass (Muddy River Books, 2014), Emily Dickinson (Propaganda Press, 2010), Pentakomo Cyprus (Červená Barva Press, 2009) Zero Boundaries (Červená Barva Press, 2008) and Self Portrait Drawn From Many (Ibbetson Street Press, 2007).
Her collaboratives include heshe egregore (with Daniel Y. Harris, Éditions du Cygne, 2016) and Di./um (with Daniel Y. Harris, Smallminded Books, 2016.)
Her oeuvre, thus far, (text, image & sound) has been published, featured and/or exhibited in the following blogs, ezines, galleries, magazines, museums, newsletters, newspapers, presses, print journals, online journals & reviews:
A. Addison Gallery, Alligatorzine, Andover Newton Theological School, Angry Old Man Magazine, Anvil Tongue, Arcanum Café, Argotist Online Poetry, An Anthology of Asemic Handwriting
B. Belmont Habitat Gallery, Gallery at Bentley College, BlazeVOX, BlazeVOX [Books], Blood + Honey, Boston Area Small Press and Poetry Scene, The Boston Globe, Boston Visual Artists Union, Brave New Word, Buzdokuz
C. Cambridge Chronicles, The Cambridge Library Gallery, Červená Barva Press, Červená Barva Press Newsletter, City of Cambridge, Clarion Magazine, Clockwise Cat, Concrete Mist Press Anthology, Counterexample Poetics
D. Dadakuku, Dead Snakes, DeepSNAKES Techno Poetry Mixtape Project, Die Leere Mitte, Divine Dirt, Don’t Submit!
E. Editions du Cygne, entropia gratis, E·ratio, Esthesis, experiential-experimental-literature
F. Fixator Press, Futures Trading
G. Galatea Resurrects, Garden of Words, Graphic Violence, The Greek Institute
H. Hedgerow: A Journal of Small Poems, The Henri IV Gallery, Hyper-Annotation #002: Mutant Poetics, Hyper-Annotation (Japanese Edition)
I. Indefinite Space, International Exhibition of Surrealism, International Times: The Newspaper of Resistance, Istanbul Literary Review
K. The Knives Forks and Spoons Press
L. Levure littéraire, The Licentiam: A Journal for Erotic Literary Experimentalism, Lothlorien Poetry Journal, Lummox, Lynx
N. New Mystics
M. M58, Marsh Hawk Press Review, Massachusetts College of Art & Design, Mass Poetry, Mediterranean Poetry: An Odyssey through the Mediterranean World, mgversion>datura, The Miscreant, The M & M Gallery, Muddy River Books, Muddy River Poetry Review
O. Oddball Magazine, Of/with: journal of immanent renditions, Off the Grid, Offcourse Literary Journal, Ofi Press, Otoliths
P. Pen & Anvil, perspektive (ABC – avantgarde-boot-camp), Pere Ube, Poesy, Poets Wear Prada, The Ponce Art Gallery, Pop Art, Presa, Propaganda Press
R. #Ranger, The Review Review, Right Hand Pointing
S. The Seventh Quarry Magazine, A Shanghai Poetry Zine: Forming Edition, Silver Pinion, Slowforward, Smallminded Books, Solstice: A Magazine of Diverse Voices, Somerset Hall Press, The Somerville Armory, The Somerville Times, Soul-Lit, SPAMzine, Spreadhead, Stride, Stone Soup, Sulfur Surrealsit Jungle, The Sun Chronicles, Synchronized Chaos
T. Taos Journal of International Poetry & Art, Tokyo Art Museum, Transfigure Media
U. Unblog, Utsanga
V. Var(2x), Version (9) Magzine
W. Wilderness House Literary Review, Word For/Word
X. Xenopoem (ゼノポエム), X-Peri
Y. Ygdrasil: A Journal of the Poetic Arts
Z. Zoomoozophone Review
Irene Koronas holds a Bachelors of Fine Arts from The Massachusetts College of Art and Design, is the Editor-in-Chief of Var(2x) and is an Official Member of the Ministry of Transrational Research into Anastrophic Manifolds. Her author and promotional photograph is by Still Standing Digital Media House, Matt Wyner, photographer.
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